When appearances meant everything (Part II)


A tale of Mughal India, ..
continued from Part I:

On September 6th, 1657, The Mughal Emperor Shah Jahan awoke to discover that he could not pee. He had fallen victim to an overindulgence in a medieval Viagra that had interfered with his ability to urinate. The passion for a silky new Moorish slave girl had driven the ageing monarch to seek an injection of explosiveness into his tired libido. He had consumed quantities of stimulants and aphrodisiacs designed to restore his youthful ardor. Instead, he suffered the agony and ignominy of extreme urinary retention, his limbs swollen, his body bloated, the Emperor of the world reduced to a mere mortal. Or so was alleged by the rumors that arrived on horseback into Mughal cities and towns over the next several days – and spread rapidly beyond. Was the old man dying? Would he be dead soon? Was he dead already? No one really knew. All that was known for sure was that the Emperor had not been seen in public for an entire week! Even a passably healthy Emperor took pains to assure that the world that he lived. A complete absence of appearance did not bode well.

Dead or not – Shah Jahan’s sons were not about to wait to find out. The death of a father, or even the rumor of a death, was not a time of mourning, worry or concern for these imperial princes, but one of war, intrigue and survival. For the best that the losers in the struggle of succession could hope for was to have their eyes put out by the winner. And so, like lions who begin eating their prey while it is still alive – for fear of losing their share – Shah Jahan’s sons made their first moves. Moves that they had been planning all their lives. The horse messengers began racing all over the country, calling in favors, promising positions and gold, mobilizing secret agreements and regiments.

Shah Jahan’s need for his Moorish slave girl was perhaps understandable. Though he maintained a well stocked harem and multiple wives (most just seals on political alliances), he was, in many ways, a lonely man, and had been since the passing of his beloved Mumtaz – whose death in 1631 had left him distraught and alone. The couple had met and fallen in love as teenagers, and remained inseparable companions for over 19 years of marriage and permanent pregnancy. In 19 years of passionate bliss, Mumtaz had conceived and given birth to 12 children, until she had finally perished during the birth of their 13th child. It was presumed that the Emperor had turned to his Moorish temptress to ease any guilt or responsibility he felt for Mumtaz’s death. For the marble of the Taj Mahal he had built in her memory lacked the Moor’s fiery embrace and beguilingly soft skin.

September 14th, 1657 – the eight day since the Emperor’s had been last seen. As the nascent rebellion took hold in the Mughal Empire, the day’s petitioners gathered below the Red Fort’s ramparts, shielding in the shadows from the vicious sun, and gazed up at the window of audience with little hope. Many, if not most, prayed aloud for their monarch, as they had all week, but the prayers found no sympathetic God. Some had already abandoned their posts and begun to retire. But as the rest considered the option, they observed a movement in the audience window. A shout of “Jahanpanah!” went up among the faithful, and those who had drifted away came racing back. For framed in that ornate and intricately carved window stood a man.

Or what seemed like a man. He was dressed in imperial finery, in cloth of gold, with pearls and rubies and diamonds. By his side stood his functionaries, their strong hands supporting him, as he swayed, staggered and barely kept his feet. The man was old, much older than the man that the onlookers recalled. For in the passing week, their memory of their ruler had returned to earlier times, to times when his youth and good looks had been the subject of tale and verse – a man who had looked like an Emperor. This man in the window was weak and withered. This man did not have the appearance of a king. He scarcely had the appearance of a man. This imposter had the appearance of an old palace eunuch dressed up to look like a king!

It took several months for the stories of the eunuch in the window to fade. Shah Jahan eventually convinced his Empire that he was not dead. But he was too late. By June of 1658, he had been overthrown by his wily and cruel son, Aurangzeb, and cast into a prison in his own capital of Agra. His only consolation was that his prison had a view. For from within his comfortable chambers in the Agra Fort, Shah Jahan beheld a vista dominated by his masterpiece – The Taj.

The former Emperor lived on for a further nine years. Some say he died in disappointment, unable to fulfil his last dream – the construction of his own mausoleum – a second, Black Taj on the opposite side of Yamuna river, a perfect reflection of The White Taj, the two linked together by a single bridge. But his soul could take solace in the fact that upon his death, his son Aurangzeb buried him besides his wife in the Taj, where together they give audience to millions of onlookers every day.

And who was the mysterious Moorish girl who proved to be such a potent political catalyst? History does not record her fate. Nor of the inventor of that deadly aphrodisiac. It is not known if the girl remained with her Emperor – if merely to ease the boredom of incarceration. In fact, it is not known if the girl existed at all. Or if Shah Jahan had been laid low by an aphrodisiac or merely the flu. For these were times when rumor was fact and appearances meant everything.

For an account of this episode in Mughal history, refer to the colorful and occasionally tabloid memoirs of the Venetian travelers Manucci and Careri.

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